Aby Warburg, (1866-1929), an art historian of startling originality, came from the renowned Warburg banking family of Hamburg, Germany. Already in his teens, the first of seven children, he made a deal with his next oldest brother, to forfeit his birth right to take over the family bank in exchange for full financial support in buying all the books that he would ever want. The library he assembled would become a refuge of scholarship. In 1933, with the Nazi takeover and the deprivation of Jewish rights, 60,000 books, photographs, and papers were shipped to London to become the Warburg Library and Institute eventually housed at the University of London. 　　This documentary on the life and work of Aby Warburg, traces the development of his ideas in their historical context. From his early studies on the early Italian Renaissance to his ventures in the American Southwest observing Hopi and Zuni ritual dances in 1895, Warburg sought the legacy of ancient Greece in the images and symbols of cultures, which he followed through iconographic studies that he pioneered. He sought connections between gesture and art in antiquity, the Renaissance and modern times. Underneath the seeming rationality of antiquity and the Renaissance, he sensed conflict and irrationality. 　　Aby Warburg never took an academic position but pursued his interests and collection of books with passion. Recurrent depressions lead to hospitalization in a psychiatric clinic in Switzerland 1921-1924. For the last five years of his life, he gave occasional lectures and seminars, but publishing almost nothing. Most notably, he developed a picture atlas, Mnemosyne, (the personification of Memory in Greek mythology,) consisting of 60 wooden panels with some 1000 images arranged according to themes and juxtapositions, concerning memory, astrology and mythology, archeology, migration of the ancient gods, vehicles of tradition, irruption of antiquity, Dionysiac formulae of emotions, Nike and Fortuna, Durer, the baroque, the reemergence of antiquity, Manet, the classical tradition today. 　　The principal motifs of Warburg’s scholarship are discussed by leading art historians in England, US and Germany, including Professors Michael Diers, Uwe Fleckner, David Freedberg, and Joseph Koerner. Filming took place in London and Hamburg. 　　This film should be of interest to anyone interested in the history of ideas, art history, social and cultural history.

《图像研究》是一部桌面录屏作品，一幅罗兰·巴特抽烟的照片窗口缩小后，旋即弹出的窗口中是一段由电脑的前置摄像头所拍摄下的卷烟教学视频。与“如何去卷一根完美的香烟”同时出现在电脑桌面上的，是“如何去制作一副完美的图像，在这个窗口中，艺术家挪用了不同影像中的“教学片段”：从 Youtube上的 Photoshop教学，到哈伦・法罗基所拍摄下的《花花公子》杂志封面的制作过程，再到电影《放大》中商业影棚的拍摄场景……与这些不同的“如何去……”所对应的，是艺术家本人在作品中所做出的声明：“我，除非在万不得已的情况下，才会使用摄影机”，他的意思大概是在景观社会永远在场的现今，我们已无需生产出更多新的图像去制作一部影片。（OCAT 上海馆）

《图像研究》是一部桌面录屏作品，一幅罗兰·巴特抽烟的照片窗口缩小后，旋即弹出的窗口中是一段由电脑的前置摄像头所拍摄下的卷烟教学视频。与“如何去卷一根完美的香烟”同时出现在电脑桌面上的，是“如何去制作一副完美的图像，在这个窗口中，艺术家挪用了不同影像中的“教学片段”：从 Youtube上的 Photoshop教学，到哈伦・法罗基所拍摄下的《花花公子》杂志封面的制作过程，再到电影《放大》中商业影棚的拍摄场景……与这些不同的“如何去……”所对应的，是艺术家本人在作品中所做出的声明：“我，除非在万不得已的情况下，才会使用摄影机”，他的意思大概是在景观社会永远在场的现今，我们已无需生产出更多新的图像去制作一部影片。（OCAT 上海馆）

泰勒·亨利是世界著名的灵媒，他的等待名单上有超过 30 万人。多年以来，泰勒一直是好莱坞的必找灵媒，他前往全国各地，为等待名单上尽可能多的人读心，为对方带去她/他们所寻求的希望、慰藉和解脱。在整个剧季中，我们将体验泰勒的读心能力，深入了解拥有这样的天赋意味着什么，并跟随泰勒的个人旅程，解开一个家族之谜，了解他的身世。

When overworked graphic designer Roy faints, he wakes up to the beautiful Nurse Abi taking care of him. This starts Roy’s fantasy of going out and sleeping with Nurse Abi. But can he turn this fantasy into a reality?

When overworked graphic designer Roy faints, he wakes up to the beautiful Nurse Abi taking care of him. This starts Roy’s fantasy of going out and sleeping with Nurse Abi. But can he turn this fantasy into a reality?

魔法世界再临，迎接大规模魔法战斗场面！艾碧嘉居住的城市，曾经充斥着不可思议的黑魔法，却被政府秘密封锁，艾碧嘉的父亲也因此消失无踪。长大的艾碧嘉体内的魔法力量渐渐苏醒，她是否能逃过一劫？

魔法世界再临，迎接大规模魔法战斗场面！艾碧嘉居住的城市，曾经充斥着不可思议的黑魔法，却被政府秘密封锁，艾碧嘉的父亲也因此消失无踪。长大的艾碧嘉体内的魔法力量渐渐苏醒，她是否能逃过一劫？

一名不想再干的加油站员工在那天下班后，打算从此离开城市。观众逐渐发现她生活片段的同时，她大步走在称之为家的残破荒土上。

一名不想再干的加油站员工在那天下班后，打算从此离开城市。观众逐渐发现她生活片段的同时，她大步走在称之为家的残破荒土上。